Dispatches from a life spent making things beautiful — new work, shows, and honest notes from the studio.
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Small Moments of Abundance
Published 25 days ago • 2 min read
Issue #2
Tomatoes, 11x14 (2026)
This month I went home to California for the first time in a while.
I called it my "artist retreat." Away from my studio and my normal routines, I tried to reconnect with the images that make me stop and pay attention.
I came home with dozens of photographs of what I'm beginning to think of as small moments of abundanceTomatoes showing off at a summer market, light filtering through trees, and cats lazing in the afternoon sun.
I'm excited to see what they become.
Tiny gods
I have a suspicion that I'll be painting more cats.
While I was home, I found myself staring at them. They're endlessly entertaining, of course, but mainly there was a deep peace to to them—unhurried and unbothered—that also led me to calm.
Here's an early study that's come out of that trip.
Sun God, 11x14 (2026)
One of my favorite cat paintings, Quiet Morning, Miami (2025), also found a new home this month. It feels like an invitation to keep following this thread.
Quiet Morning, Miami, 9x12 (2025)
The Dream tee
After a lot of research, I finally found a way to produce the Dream tee that felt true to the project. It's printed on demand so nothing is overproduced, and I've kept my margin intentionally small because my goal wasn't to build a clothing brand, but to make a piece people could not just live with, but live in. If you do choose to get this piece I would be grateful for a picture of you sporting it 💙
As the year blazes on, I continue to feel busy in the Year of the Horse energy—but I've been strangely comforted by the influx of "It's not just you."
a representative text of the year
The Year of the Horse print and its companion essay was meant to be a small reminder that we're all moving through this season together. There's still a few left of the signed and numbered edition of 75, and many people have told me they've gifted it to friends who needed the talisman as much as they did.
I still have three pieces included in ARRAE Gallery's Volume III, on view through August 8. One of the things I admire about ARRAE is its mission to make fine art feel more approachable—it's a delightful space to be in.
The three pieces at ARRAE, below:
Warding, 14x20 (2026) Inspired by the messages of the Year of the Snake, Warding is a statement of self-devotion. The intertwining, the relaxed hand, and the basil plant—historically used for warding and purification—reinterpret the serpent as an ally rather than an omen, emphasizing intimacy with personal power. The piece celebrates acts of protection-- not out of fear, but out of self-devotion.
If something in this letter resonates with you—whether it's a painting, a print, or simply a thought—please reply. Those conversations are one of my favorite parts of sending these letters.
If this letter was forwarded to you and you'd like to receive future studio notes, you can subscribe here.
And if you know someone who might enjoy these small moments of abundance too, I'd be grateful if you passed this letter along.
Issue #1 Letters from Austin Lan Skinny Dip (2026) I’ve been busy. When I first stepped away from full-time work, I imagined my life as a full-time artist would be full of quiet artist moments—staring up at the sky, long pauses, stillness. While there are moments of peace, there is also a lot of movement -- making, experimenting, connecting, and wondering. Read on for snapshots: Year of the Horse Year of the Horse art prints. Signed and numbered edition of 75, $25 A large part of my attention...